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Search resuls for: "Alisha Boe"


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Kristine Frøseth, Alisha Boe, Josie Totah, Aubri Ibrag and Imogen Waterhouse Photo: Apple TV+If “The Buccaneers” is what it takes to keep Edith Wharton in circulation among a new generation of readers, it may be worth the price. On the downside, people will think “The Buccaneers” has something to do with Edith Wharton. The Buccaneers Wednesday, Apple TV+Wharton—chronicler of robber-baron America, genius of the social critique, stylist extraordinaire—had left four-fifths of “The Buccaneers” behind when she died in 1937. It was published in 1938, unfinished; Marion Mainwaring’s “completed” version appeared in 1993, to a predictable mix of bouquets and outrage. The version materializing on Apple TV+ is the interpretation of series creator Katherine Jakeways (the director is Susanna White ) and will have hardcore Wharton-ites squealing louder than the bevy of batty beauties exported from New York for the London Season in order to find themselves titled English husbands who need American money.
Persons: Kristine Frøseth, Alisha Boe, Josie Totah, Aubri Ibrag, Imogen Waterhouse, Edith Wharton, Wharton, America, extraordinaire —, Marion Mainwaring’s “, Katherine Jakeways, Susanna White Organizations: Apple, Buccaneers, Wharton, London Locations: batty, New York
Although “The Buccaneers” comes with the literary pedigree of being based on Edith Wharton’s last, unfinished novel, the series so desperately wants to emulate “Bridgerton” that it almost makes your teeth ache, down to the mix of corsets and contemporary music. The result is a mildly watchable Apple TV+ series that proves, to quote Fred Allen, imitation is the sincerest form of streaming, too. Even so, everything feels a little too familiar, including the series’ hissable villain, hidden beneath a polished and presentable veneer. Consumed entirely on its terms, “The Buccaneers” works reasonably well as a soapy distraction for those willing to check their brains at the ballroom door. “The Buccaneers” premieres November 8 on Apple TV+.
Persons: Edith Wharton’s, Fred Allen, Conchita, Alisha Boe, ’ brashness, Nan St, George, Kristine Frøseth, Jinny, Imogen Waterhouse, Nan, Guy Remmers, Matthew Broome, Men’s ” Christina Hendricks, Christina Hendricks, Angus Pigott “ Organizations: Buccaneers, Apple Locations: Europe, New York
(CNN) "Do Revenge" has all the makings of an attention-generating machine, combining a "Mean Girls" vibe with the stars of two popular teen franchises in Camila Mendes ("Riverdale") and Maya Hawke ("Stranger Things"). It's too bad the Netflix movie doesn't match those qualities, offering a mishmash of homages that's mildly diverting but can't ace the final. Yet the plot (based on a script by Robinson and Celeste Ballard) doesn't pursue that enticing prospect with much conviction, which might explain why it runs out of steam down the stretch. The movie also owes debts to a lot of other teen fare, such as "Cruel Intentions," itself an adaptation of the French novel that became "Dangerous Liaisons." Mostly, it's a story of unlikely friendship, set against the backdrop of another private school where the parties make Roman bacchanals seem restrained and pale by comparison.
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